Lover or loved? Confessions from Anne Curtis, Jericho Rosales, and Catriona Gray. 

Detected Manipulations & Suggested Changes

Unsubstantiated claims

Presenting evaluative or impactful statements as fact without evidence or external support.

1) "The film experience is a celebration of love itself, serving as a poignant guide for anyone who has ever navigated the complexities of a relationship." 2) "Heightening the romantic experience, the film features the Billboard Philippines Hot100 song 'Multo' by Cup of Joe as its sonic heartbeat. The track perfectly mirrors a narrative in which memories refuse to stay buried." These lines assert that the film is a "celebration of love itself," a "poignant guide," and that the song "perfectly mirrors" the narrative, without attributing these judgments clearly as opinions or providing any independent basis (e.g., early reviews, audience reactions).

3 suggestions

Attribute evaluative language explicitly to sources and frame it as opinion, e.g.: "According to the filmmakers, the film experience is intended as a celebration of love and a guide for anyone who has navigated the complexities of a relationship."

Qualify absolute claims with more neutral phrasing, e.g.: "The film aims to celebrate love and explore the complexities of relationships" instead of "is a celebration of love itself, serving as a poignant guide."

Rephrase the music description to avoid certainty and superlatives, e.g.: "The film features the Billboard Philippines Hot100 song 'Multo' by Cup of Joe, which the creators say reflects a narrative in which memories refuse to stay buried."

Appeal to emotion

Using emotionally charged framing to create a positive emotional response rather than providing neutral information.

1) "The film experience is a celebration of love itself, serving as a poignant guide for anyone who has ever navigated the complexities of a relationship. It poses the haunting questions that linger after every great love..." 2) "Heightening the romantic experience, the film features the Billboard Philippines Hot100 song 'Multo' by Cup of Joe as its sonic heartbeat. The track perfectly mirrors a narrative in which memories refuse to stay buried." These passages are crafted to evoke strong feelings about love, romance, and nostalgia, encouraging readers to feel that the film will be emotionally powerful, rather than simply describing its content and themes.

3 suggestions

Replace emotionally loaded terms with descriptive ones, e.g.: "The film explores themes of love and the challenges of relationships" instead of "a celebration of love itself, serving as a poignant guide."

Describe the song’s role factually, e.g.: "The film includes the Billboard Philippines Hot100 song 'Multo' by Cup of Joe on its soundtrack" instead of "as its sonic heartbeat" and "perfectly mirrors a narrative."

Limit metaphorical language that is designed to stir emotion (e.g., "sonic heartbeat," "memories refuse to stay buried") and instead summarize the plot and tone in concrete terms.

Biased language

Using positive, promotional wording that implicitly endorses the subject.

1) "It was such an enjoyable experience. I was observing how everything goes," the former Miss Universe said, adding that she was amazed at how Jericho and Anne prepared for scenes. 2) "I really admire Direk Irene. I love her energy. It was an incredible experience for me. Everyone was so kind and accommodating. I am proud that this is my first acting stint. It's a beautiful story, that's why I said yes to the project." 3) "Director Irene encouraged moviegoers to immerse themselves in the film’s story of love and connection while watching it in the cinema." While these are mostly direct quotes, the article presents only positive, flattering language about the film and its production, with no balancing or contextualizing perspective. The narrative voice also leans into promotional phrasing like "encouraged moviegoers to immerse themselves" without clarifying that this is marketing-oriented.

3 suggestions

Make clear when language is promotional by explicitly framing it as such, e.g.: "During the promotional event, Director Irene encouraged moviegoers to immerse themselves in the film’s story..."

Balance highly positive quotes with neutral context, e.g.: "Cast members shared their positive experiences on set, describing the shoot as 'incredible' and 'enjoyable.'"

Avoid adopting the promotional tone in the reporter’s own narration; keep the reporter’s voice descriptive and factual, reserving subjective language for clearly attributed quotes.

Oversimplification

Presenting a complex or subjective experience in overly broad, sweeping terms.

"The film experience is a celebration of love itself, serving as a poignant guide for anyone who has ever navigated the complexities of a relationship." This line suggests the film can serve as a "guide" for anyone who has experienced relationship complexities, implying a universal applicability and depth that may not be warranted or that will vary widely by viewer.

3 suggestions

Qualify the scope of the claim, e.g.: "The film aims to celebrate love and may resonate with viewers who have navigated complex relationships."

Avoid universal language like "anyone" and "guide"; instead, describe the intended themes: "The story focuses on the emotional aftermath of a past relationship and the questions that can linger."

If the "guide" framing is important, attribute it: "The filmmakers describe the movie as a kind of guide for people reflecting on past relationships."

Unbalanced reporting / Selective use of sources

Presenting only one type of perspective (here, promotional and positive) without any neutral or contrasting context.

The article exclusively quotes the director and main cast, all speaking positively about the film and each other. There are no external perspectives (e.g., early reviewers, audience reactions, or even neutral production details) and no mention of potential challenges or limitations. The structure and source selection make the piece function as promotional content rather than balanced coverage.

3 suggestions

Clarify the genre of the piece as a promotional or feature article, e.g.: "In a promotional media conference for their upcoming film..." so readers understand the context.

Include neutral, factual information (budget, production timeline, genre comparisons) that is not inherently flattering, to balance the tone.

If available, add at least one independent or more neutral perspective (e.g., from a critic or early viewer) or explicitly note that the event was a promotional media conference and that comments reflect the team’s own views.